Thursday, October 3, 2019

Response to a Staging of Jack Heifner’s “Vanities” Essay Example for Free

Response to a Staging of Jack Heifner’s â€Å"Vanities† Essay I considered the performance an enjoyable one. In other words, I commend the actors and the whole production for doing well. The closeness of Heifner’s masterpiece is really close to what it happening in reality. On the part of the actors, I noticed that the actors were a little nervous during the beginning. They appeared to be a little tensed. But as the play progressed, the actors seemed to be getting into momentum. This made the actors â€Å"initially† guilty of being actors on and off stage. It would be helpful to the actors if they would put into practice what Hagen said about the beginning â€Å"be in character while waiting to go on† (Hagen 97-100). This would give them a headstart so everything flows smoothly. Kathy’s monologue was good. It seemed like the actor had rehearsed it a lot. Although, Hagen might have a problem with that because the audience could see that she practiced it, meaning the audience could see an act she did in real life which was rehearsing. As Hagen puts it â€Å"it’s a monologue if you are alone talking to yourself, if you talk to the audience, it’s a duologue. † (120) Well, Nobody is perfect and criticism promotes growth so I might as well say it. Something seemed to be lacking in some portions of the play. As if the acting was fluctuating at times. Maybe this is because the actors did not genuinely experienced being a cheerleader or a teacher. But I must give it to them for they had managed to constrain their true selves from acting like the people they are off stage. It should be considered that the actors are still young and have much to learn. After all, even oscar winners would find it challenging to follow all of Uta Hagen’s acting tips. Work Cited Hagen, Uta. Respect for Acting. NY: Wiley Publishing Inc. 1973

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